Keep These Tips in Mind When Mixing
by Kenneth Sutton
ut in a reference CD, see what it is you like about the CD and work to get a
comparable sound. Just remember, you are going for a mix. Don't try to get the
level as hot as the reference CD, you're reaching for the tone, balance and
placement in the stereo field.
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Avoid digital clipping.
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De-ess the vocals and carefully compress the vocals a little more so you can
hear all the lyrics.
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Compress the bass a little more so it's even sounding.
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Keep the crash cymbals low in the mix.
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Make the kick a bit louder than you think it should be.
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Compare your mixes with your reference CDs.
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Don't over-process.
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Don't try to make your mix as hot as commercial CDs, that's what mastering does.
Book a pre-mix clean up session. Take an hour or so to come in with Ken, and
erase all the throat clearing, the guitar clicks, the out-take solos, etc. At
mix time, you can concentrate on the creativity, not the housekeeping.
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Don't compress the stereo output buss. It restricts what can be done in
mastering.
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Listen to your favorite commercial CD's in the control room to compare with
your sound.
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Be aware of the level of the lead vocals from song-to-song. Re-listen to your
previous mixes.
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Allow for extra time to mix. Nothing is worse at this critical stage than
running out of money, and you end up stuck with less than the best. Mixing is a
crucial point in your project.
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Take breaks, have fun, enjoy the process.
Ken Sutton: "This is the Orignal 4-track mix with Altered State, which was
recorded on 3/3/01, on a Tascam 414 4-track. I Remixed the song in ProTools,
and I must say they really do have there own way of playing."
Listen To: Orginal mix of Altered State
Listen To: Remix of Altered State

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